The Projected Picture Trust
The early days of the Trust were taken up collecting all aspects of the technical side of film projection and production. Storage became a major concern. We moved here there and everywhere with all this very heavy equipment until we found a home at Bletchley Park.
To Hire a cinema projector please visit PROSCREENS
Sadly in 2015 we moved out of Bletchley Park. However we do have a Storage facility in Halifax, so no equipment or Exhibits are being lost.
the first movie projector was the Zoopraxiscope, invented by British photographer Eadweard Muybridge in 1879. The zoopraxiscope projected images from rotating glass disks in rapid succession to give the impression of motion. The stop-motion images were initially painted onto the glass, as silhouettes. A second series of discs, made in 1892–94, used outline drawings printed onto the discs photographically, then colored by hand.
Film Movie projector
A more sophisticated movie projector was invented by Frenchman Louis Le Prince while working in Leeds. In 1888 Le Prince took out a patent for a 16-lens device that combined a motion picture camera with a projector. In 1888, he used an updated version of his camera to film the first ever motion picture, the Roundhay Garden Scene. The pictures were privately exhibited in Hunslet.
The Lumière brothers invented the first successful movie projector. They made their first film, Sortie de l’usine Lumière de Lyon, in 1894, which was publicly screened at L’Eden, La Ciotat a year later. The first commercial, public screening of cinematographic films happened in Paris on 28 December 1895. The cinematograph was also exhibited at the Paris Exhibition of 1900. At the Exhibition, films made by the Lumière Brothers were projected onto a large screen measuring 16 by 21 meters (approximately 52.5 x 69 feet).
Decline of film projectors
In 1999, digital cinema projectors were being tried out in some movie theatres. These early projectors played the movie stored on a server and played back through the projector. Due to their relatively low resolution (usually only 2K), the images at the time showed pixelization blocks in some scenes, much like images on early widescreen televisions. By 2006, the advent of much higher 4K resolution digital projection had removed any traces of pixelization. The systems became more compact than the larger machines of four years earlier. By 2009, movie theatres started replacing the film projectors with digital projectors. In 2013, it was estimated that 92% of movie theatres in the United States had converted to digital, with 8% still playing film. In 2015, numerous popular filmmakers—including Quentin Tarantino and Christopher Nolan—lobbied large studios to commit to purchase a minimum amount of 35 mm film from Kodak. The decision ensured that Kodak’s 35mm film production would continue for several years.
Nowadays film projectors are considered obsolete as high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely, and are relatively compact. They also allow for much easier, less expensive, and more reliable storage and distribution of content, including the ability to display live broadcasts.